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Enter here the 8 CHARACTER CODE that you find written on the back of the Painting


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Francesco - 2021



Matteo e Marco - 2024



Chito - 2023



Federico - 2022



Simon Francesco - 2024



Marco - 2023



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Lorenzo Bernini - Verità svelata dal Tempo - 1646-52 - Marmo - Roma, Galleria Borghese


Bartolomeo Guidobono - La Verità scoperta dal Tempo - prima del 1709 - Olio su Tela - Genova, Collezione Banca Carige


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Mara - 2021



Andrea - 2020



Marianna - 2022



Sara - 2021



Tommaso - 2024



Laura - 2024



Chiara - 2023



Sara - 2023



Simona - 2024



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Louis Simon Boizot - Libertà armata con lo scettro della ragione che fulmina Ignoranza e Fanatismo - 1793 - Engraving - Paris, Musee de la Ville de Paris, Musee Carnavalet


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Scultura di Sarasvatī, o Saraswatī, in sanscrito सरस्वती, è la prima delle tre grandi Dee dell'Induismo, insieme a Lakṣmī e Pārvatī, Dea della Conoscenza e delle Arti.


Apollo del Belvedere - Copia romana di età ellenistica 350 a.C. - Musei Vaticani
Dio della Conoscenza, della musica, della poesia e della luce



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Alessandra e Anna - 2019



Mara e Matteo - 2018



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ALLEGORIA DEL TEMPO

Agostino Pussè, Allegoria del Tempo, 1609 circa, Dipinto - Caserta, Palazzo al Boschetto
Soprintendenza Archeologia, belle arti e paesaggio per le province di Caserta e Benevento

Il Tempo (Saturno-Kronos) sorregge nella mano sinistra una clessidra e nella destra un piccolo serpente attorcigliato in circolo; in alto sono i carri della Luna e del Sole, in basso, le rovine di edifici e statue. Kronos è rappresentato nelle sembianze di un uomo canuto, con grandi e corpose ali (secondo il detto "Volat irreparabile tempus"), che sovrasta cumuli di macerie. La storia del mondo è ordinabile e comprensibile solo se le si conferisce una precisa consequenzialità temporale; tuttavia negli eventi umani lo scorrere del tempo, attraverso il ciclico alternarsi di inizio e fine (la clessidra), è visto come portatore di decadenza e strumento per il raggiungimento della saggezza. Dunque, all'azione distruttrice del tempo (le rovine architettoniche) è correlata la sua perenne ciclicità (il serpente piegato in circolo) mediante il susseguirsi della notte e del giorno (la biga di Selene che precede la quadriga solare di Elio), che scandisce e regola la vita umana sulla dualità tra la nascita-vita (acqua) e la morte (macerie). - - > Vedi la scheda al Catalogo dei Beni Culturali



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Ricomposizione del flusso temporale


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Flavia e Elias - 2024



Diana, Filippo e Marzia - 2022



Beatrice e Lorenzo - 2020



Valentina e Fabrizio - 2024



Caterina e Denis - 2024



Alessandra - 2024



Arbatax - 2024



Edoardo - 2024



Giacomo - 2024



Marinella - 2024



Marco - 2024



Sofia - 2024



Mauro - 2024



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